a5c7b9f00b When his vehicle and all his possessions are looted by the eccentric pilot Jerediah and his son Jerediah Jr. The Road Warrior knownMax Rockatansky arrives in the desert town "Bartertown" ruled by the evil Aunt Entity, where people living in the post-apocalyptic Australian outback go to trade for food, water, weapons and supplies. After being forced to fight Master Blaster, a tiny man and his masked muscle-man in "Thunderdome" a gladiator like arena, when being caught up in a power struggle for control for Bartertown. Max is banished into the desert wasteland, where he is rescued by a tribe of children, who thinks Max is a pilot named Captain Walker, who is the chosen one who will take the children to the promised land "Tomorrow Morrow Land", and learns the children are survivors of a plane crash and Captain Walker was their leader. Agreeing to help the children in their search for "Tomorrow Morrow Land", Max and the children set off across the desert wastelands and returns to Bartertown, where Max has score to settle with Aunt Entity.
Robbed of his possessions whilst travelling through the Australian outback, Max manages to stumble upon Bartertown, a trading post for all manner of criminals and governed by Aunt Entity and Master Blaster. He is forced to fight on behalf of Aunt Entity in order that she gain complete control of the town, but he is thrown back out into the desert when the fight is over. He then stumbles upon a group of orphans, the only survivors of a plane crash during the nuclear war and with their help he returns to Bartertown.
For the last outing Miller has taken a different route for his lone wolf character. Gone are the highway chases, road wars and Max's personal Ford Falcon, this adventure is a completely new kind of beast…with kids…hurrah!<br/><br/>It does seem that Miller took a leaf out of the Lucas book of ideas for this film. A much more toned down Mad Max film with very little blood and road vehicle based death and carnage, but an abundance of children in a kind of tribal 'Lord of the Flies' meets 'The Lost Boys' in a 'Peter Pan-esque' type of way. Not too dissimilar to the way 'Return of the Jedi' went all cute and cuddly towards the end with a large tribe of teddy bears.<br/><br/>Although the change of pace was risky and in my view…not the best decision ever, you gotta give kudos to the writers for being brave enough to go in another direction. The film doesn't really offer much action and adventure at any point to be brutally honest, my opinion. The first half set in 'Bartertown' is a complete bust reallyall we get is a seedy dirty dusty desert town inhabited by lots of marauder types and weirdo's yet nothing really happens!<br/><br/>The bad guys aren't really bad at all, just a bit naughty I guess, the plot isn't really of any interest and goes nowhere and the only action is a rather limp fight between Max and a huge helmet wearing foot soldier/bodyguard called 'Blaster'. We also find out the leader of this wasteland dump is errrm…Tina Turner, terrific.<br/><br/>Of course we all knew this before the film came out but it was definitely a sign of the franchise hitting the rocks. After this average kick off things progress towards the desert where Max finds this tribe of kids and where the franchise U-turns harshly, think of an early version of 'Hook' and you might get an idea of what I'm talking about. Its notcringeworthy and terriblethat Spielberg film but lets be honest its pretty crappy frankly. From here on Max babysits these kids until the plot leads them back to Bartertown for…hmmm not much really, plot is absent without leave.<br/><br/>The sets costumes and makeup for the kids and their homes are nicely done, doesn't look tacky or too childish, luckily it all still fits OK within the Mad Max universe. Of course we do still get some lovely location visuals with some beautifully stunning vast orange and tan coloured Aussie outback shots. These landscapes really are the core of this franchise and give it such depth and scope, it just looks awesome basically.<br/><br/>After observing nothing much in the form of excitement we do eventually get a reasonably solid yet watered down vehicle chase sequence at the end. Its notintenseyou would expect and barely serves up enough thrills to raise a smile, the violence level is at a complete zero here folks, bloodless. I'm not saying that automatically means the movie will be poor but come on…its Mad Max, lets see some claret spillage.<br/><br/>As I said it was brave to go into new territory with Max but maybe this particular idea wasn't the best way. There isn't really anything very memorable anywhere in the film, the title sounds daft and although the Tina Turner theme song is a good tune its all very Bond-like and too glossy. You half expect Turner to start bellowing out her power ballad midway through the film to a montage of Gibson's tanned buttocks…well maybe.<br/><br/>5/10
After the brilliance of George Miller's first two Max outings, the main feeling after watching this was one of sheer disappointment. Not that Thunderdome is a terrible movie by any means, it's just an average Saturday night popcorn piece that doesn't really push cinema's boundaries like the Director is easily capable off.<br/><br/>Once again, we are thrown straight into it from the beginning. Max, now scraggy haired and older is knocked from his camel led cart, by a well filmed ariel assault. His transport and belongings taken to be auctioned at the nearby dwelling of Bartertown. Ran on methane from pig excrement, anything can be bartered here, including 24 hrs of your life, which Max gives to get his camels back. <br/><br/>Here we find a few interesting individuals. One being Auntie Eternity, played by Tina Turner. dressed from head to toe in futuristic garb, she looks pure Amazonian. Another being Master-Blaster. A seven foot simpleton with his 3ft Boss played by Angelo Rossito strapped to his enormous shoulders. The Thunderdome, a futurist semi-globe of welded iron where people of Barertown do battle, is only shown for a single fight scene, making the movies title a cool sounding yet redundant choice.<br/><br/>The second part of the movie, does get stranger. We are introduced to a tribe of Children, not to far away from those of Lord Of The Flies or The Emerald Forest. The pace then seems to drag and although intriguing, it just doesn't fit with what was an interesting first act. <br/><br/>A big problem with Miller's third movie, is that the tone is completely different. Therefore it's more of a standalone piece. Max could have really been portrayedany drifter passing through an unruly part of the world. We presume Max is still in Australia, yet the accents are largely American, with a few native and even some English. Just where on earth are we? Gone is the apocalyptic high octane horror and action of earlier. Here are vehicles ran on pig crap. The violence is more comical, with lots of slapstick, and you never really feel Max is under threat from the bizzaro bunch of Henchman. More comedy than cannibal culinary. What I would have given to see a Wez-like predator or another Lord Humungus of the wastelands. <br/><br/>The picture is peppered with rehashed moments from the others, which does hint that George was sticking with what has worked in the past on an older, more exclusive audience. Repackaged, toned down and offered on a platea popcorn flick. Bruce Spence, The Giro Captain from Road Warrior appears to play a similar if not the same character, we are never quite sure. There seems to be a moment of recognition from Max, but not mutually. CreditedJeradiah this time, but then again he's not flying a Giro-Copter. His son, a chip off the old block sporting a shaggy mop of blonde hair, a similar shade to the target off Giro's affections from the oil compound? -possibly. Another being the Tribe of children, like fifty Emil Mintys, but less Ferrel like. The big one though has to be the ending of Thunderdome, without giving away any spoilers you will have seen a similar chase before, whilst it entertains, it's nowhere nearbrutal orexciting. <br/><br/>But having said that, the third Max instalment does have it's positives, just don't go in expecting car chases and punks galore. Cinematography is nice and the score isgood you would expect, plus Gibson continues the development of Max, from cop-Road Warrior-Hero.<br/><br/>What I would give to hear that V8 supercharger again!!
The battle between Max and The Blaster in Beyond Thunderdome may be the best the series has to offer.
Yes! Out at the Burning Man Festival, there is a camp called Deathguild that builds its own Road Warrior style cars and holds nightly battles in its own Thunderdome! Max regained his humanity by realising that the kids needed his help and were helpless in the twisted world they knew nothing of. In the script (and the novel) is a scene cut from the finished movie where Max falls asleep in Crack in the Earth and wakes up after having dreamt of his wife, son and partner Goose. He starts crying, realising that he has become "the same kind of human animal he had always despised, no better than those who had destroyed the ones he loved". Ultimately left up to the viewer to decide but the sight of him walking over the dunes with the spears suggests he returned to live out his life with the Feral Kidstheir protector and guide, finally finding a new family and home after all these years. In his speech to the Feral Kids Max tells them "We're going to stay right here, we're going to live a long time and we're all going to be thankful", noticeabley referring to 'We'. They were the descendants of Captain Walker and the surviving crew and passengers of the passenger jet that Walker piloted. The story they tell about the apocalypse and Walker's crash landing in the desert is one that's been handed down through their time living in the canyon. When Savannah (who herself is pregnant) finds Max, she assumes that he's Captain Walker and that he's returned to lead them out of the desert to civilization. Years prior to Max' arrival, Walker and maybe a few of his crew and some of the passengers probably trekked into the desert to find a way back to civilization. During the battle with Blaster in Thunderdome, Max realizes, after knocking Blaster's helmet off, that the man is mentally handicapped. Remember in the last movie <a href="/title/tt0082694/">Mad Max 2 (1981)</a> was about Max regaining some of the personal humanity he lost in the first movie when he son and wife were murdered. In this film the writers decided to have a scene where Max is again reminded of his compassionate side – he refuses to kill Blaster because he feels it's wrong to kill a man who doesn't understand the situation he's gotten into. Master had likely thought that Blaster would easily kill Max in the contest but Max outwitted them both with the whistle. Subsequently, the crowd cheers for Max to be let go and a furious Auntie shouts them all down by claiming that Max had reneged. Many people tend to think of a "gulag"being a Soviet forced labor camp that existed during the era of communism in the Soviet Union in the 1900s however, the actual term itself refers to the government organzation that oversaw the deportation and housing of political prisoners sent to those camps. More info on gulag can be read here.<br/><br/>In the context of this film and Max' sentencing, Auntie & her people are using the term "gulag" to refer to exile in the desert, hence the Mardi Gras costume head being placed over Max' head while he's tied to a horse that they release into the desert. Auntie was probably banking on the idea that Max would die of thirst and dehydration in the desert & she'd be rid of him. Though his vocation before the apocalypse is never mentioned specifically, we can assume that Master was probably an engineer with expertise in running power-generating facilities like Underworld. He might also have been a civil engineer that planned communities and basic services involved like water, electricity, sanitation, trade services, etc, so he was very valuable, possessing a certain type of brilliance in this arena. Because of his protective partner, Blaster, Auntie was never able to fully exploit him and had grown sick of his arrogance and opportunistic attitude, so she waited until she found someone who could dispose of Blaster: Max. Max, who's very savvy,we all are aware, also saw the potential in Master to help build a new civilization for Walker's children. Max, who slowly regains his compassion and humanity through the series, probably believed that Master shouldn't be a slave to Auntie in Bartertown, so he decided to free him. No, Bruce Spence plays a different character. Although both are pilots, the Gyro Captain from Mad Max 2 was said to become the leader of the survivor group from that film. Then the narrator of MM2 mentions that when he grew up, he eventually took over the group. So it stands to reason that the Gyro Captain would not be found in Barter Town if he was still leading a group at that time. Also, Max and Jedediah (the character from this film) see each other on more than one occasion and never have a moment where they recognize each other. It's possible she was, however it could be said that because she was trying to run Bartertown, criminally or otherwise, she made this comment to suggest that her, being a leader, and Max being former Law Enforcement make them a great pair.
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